Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Infanta Margarita (df01) | Menippus (detail) (df01) | Old Woman Frying Eggs | Detail of the water seller of Sevilla | St.Anthony Abbot and St.Paul the Hermit |
Related Artists:
Andrea Vaccaro
Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.
Francis Nicholson
English Painter, 1753-1844 English painter. After studying with a local artist in Scarborough, Nicholson began his career in his native Pickering, producing sporting pictures and portraits for Yorkshire patrons. In the mid-1780s a sideline in portraits of country houses led him to concentrate on landscapes in watercolour. From 1789 he contributed views of Yorkshire and Scotland to exhibitions at the Royal Academy. He also supplied topographical views for the Copper Plate Magazine. Although his market increasingly became London-based, Nicholson continued to live in Yorkshire (at Whitby, Knaresborough and Ripon), only moving to London c. 1803.
John Masey Wright
1777-1866